This is a mock tri-fold brochure I recently made for an experimental writing assignment. Emphasis was on authentic tone of voice, with major satirical over and undertones. It was intended to have all the cheesy, generic elements that most religious pamphlets lean on. (Click images for full size)
Wednesday, March 26, 2014
Tuesday, March 25, 2014
Press Release - Pennyroyal Studio and Cesar Millan Collaboration
This is a press release I worked on for a collaborative jewelry release between Pennyroyal Studio and Cesar Millan. I worked on several press releases and release materials for this partnership throughout 2012 and 2013. My role in this was primarily supplemental writing and copyediting. Link to full article
Pennyroyal Studio Announces “Daddy” Paw Print Earrings with Cesar Millan
Pennyroyal Studio to release new jewelry design collaboration with Cesar Millan. The new "Daddy" Paw Print Earrings will benefit the Cesar Millan Foundation.
Los Angeles, CA, April 23, 2013 --(PR.com)-- Proceeds from the Pennyroyal “Daddy” Paw Print Earrings to Benefit The Cesar Millan Foundation.
Pennyroyal Studio announces their latest charitable project with Cesar Millan. Pennyroyal’s many charitiable collaborations have raised over $220,000 for various charities since 2009 including the “Daddy” Paw Print Pendant and Custom Paw Print Pendant with Cesar Millan which has raised $23,000 for the Cesar Millan Foundation to date. Following the success of their first collaboration, the “Daddy” Paw Print Pendant, customers are now able to purchase matching “Daddy” Paw Print Earrings featuring an exact replica paw print from Cesar’s pit bull ambassador “Daddy” who was with Cesar Millan until his death in February 2010. Proceeds from all sales benefit The Cesar Millan Foundation’s DEAR Fund.
"Daddy was a huge inspiration to me and all the lives he touched. These earrings are a commemoration of Daddy and a reminder for everyone who wears them to live in the moment, project calm-assertive energy and be a great pack leader." -Cesar Millan
The “Daddy” Paw Print Earrings will be available to order from April 18th, with proceeds benefiting The Cesar Millan Foundation's DEAR Fund. They are available in both sterling silver and bronze. Stud backings are sterling silver on both. Prices range from $33 to $40. These will be available for purchase exclusively throughwww.pennyroyalstudio.com.
Pennyroyal Studio’s Owner/Designer, Tim Foster says, “We’re really excited to be continuing our support of The Cesar Millan Foundation with these earrings. Cesar’s fans and supporters have such a strong connection to 'Daddy' and wearing his exact paw print means a lot to people. As a dog lover myself, it’s a pleasure to create designs that support The D.E.A.R. Fund and help dogs who need it.”
About Pennyroyal Studio: Pennyroyal Studio, the Los Angeles-based brand, was founded in 2006 by former music industry professional, Tim Foster. While creating a memento for his girlfriend, Foster discovered his love of designing jewelry and conceptualized his first collection of pendants. Despite the growth of the Pennyroyal Studio brand over the past 6 years, each collection continues to feature Foster's signature artisanal flare and handcrafted appeal that launched the successful jewelry brand. Pennyroyal Studio's designs are inspired by music, moments in Foster’s life, and a desire to create designs that have a positive impact on each individual customer and the charities that benefit from them.
About Cesar Millan: Cesar Millan is a Mexican-born American dog trainer. A self-taught expert, he is widely known for his television series The Dog Whisperer with Cesar Millan now broadcast in more than eighty countries worldwide.
About The Cesar Millan Foundation's DEAR Fund: Created in Daddy’s memory, The DEAR Fund (Daddy’s Emergency Animal Rescue Fund) provides assistance for dogs that are victims of abuse or violence, man-made disasters (hoarders and puppy mill rescues), and large-scale natural disasters (hurricanes, fires and other natural catastrophes). For more information or ways to donate visit http://www.millanfoundation.org/donate/dear.php
Full Page Ad - Cesar's Way Magazine
This was a full-page ad I designed for placement in Cesar's Way magazine. This was for a charity collaboration between Pennyroyal Studio and the Cesar Millan Foundation. Click image for full size.
Model: Grasie Mercedes
Model: Grasie Mercedes
Insert Cards - Pennyroyal Studio Projects
These are a small sample of the insert cards I've designed for Pennyroyal Studio's various charitable projects. They were all designed with emphasis on branding consistency (both Artist branding and Pennyroyal Studio). If you'd like to see more examples, please email me at tyler.robinson.chan@gmail.com as I no longer have direct access to the files, but can get them easily enough.
Monday, March 3, 2014
"For Better or Worse" - A Short Story
Tyler Chan
February 21,
2014
“For Better or Worse”
Abortion had
never been a term to spark much emotion from Rich. He was not a religious man,
nor was he particularly impassioned by any political agenda. He’d heard the arguments, seen the
hostility the subject aroused, and quite frankly didn’t care one way or the
other. His beliefs were his own,
and with that he was satisfied.
Rich was glad to
have found a woman who shared this apathetic disposition—something he found
unbearably absent during his years at a conservative university. Kat had come from a Catholic
background. Her family—especially her mother—was deeply involved in the local
parish and she had been too by default. However, as she aged through her teens
and into her twenties, Kat’s justification for missing Sunday mass gradually
evolved from “I’m too tired” to “I’m hungover” until finally reaching “I just
don’t believe any of this.” So by
the time they’d met, Kat and Rich were perfectly and happily compatible on that
front.
They had begun dating
in the summer of 2010, when Rich was home from school. Mutual friends had
introduced them and everything proceeded in a fairly conventional manner. They
went on a few dates—movies, dinners, parties—all of which were almost certain
to result in more intimate contact than originally anticipated, and by August
they were officially “together.”
Kat was perfect
for Rich, and he knew it. Her long kinky blonde hair was perfectly
uncontrolled. Her light green eyes were stunning and vivid against the black eyeliner
that surrounded them. Her makeup was always done flawlessly—something she took
a lot of pride in. Sometimes Rich
would go into the small Italian restaurant where she worked, sit at a booth,
and just watch her smile and radiate as she glided across the room with a tray
full of hot lasagna and fried calamari. He would watch the men she served,
knowing that they must feel the same way he’d felt the first time they met—enamored
by her beauty and personability. Then when they’d leave a twenty-dollar tip on
a thirty-dollar check, she’d hold it up towards his booth and do an inconspicuous
little dance. He would just laugh and shake his head, but not in disbelief—it
never surprised him. But it wasn’t
her refined appearance that held Rich’s attraction all the years they spent
together.
Rich was
infatuated with her sense of humor.
Despite her refined appearance, Kat’s mind was as unfiltered as it was
unoffendable. Rich’s humor was dark and insensitive to most, so her receptiveness
to jokes about baby Jesus and Anne Frank was liberating to say the least. He
was free to be open with his off-color jokes and Kat responded in kind. The
first flowers she ever received from him were left on her windshield while she
was working with a bit of a cold. They were handpicked and accompanied by a
note that read:
Roses are red and sweet like a sucker,
Stop working so hard and get well
motherfucker.
To which she
cheekily replied by text:
I’ll work if I want, stop being a perve.
Leave me alone, I’ve got pizzas to serve.
Kat was still in
school, and she had a long way to go. Rich had graduated a year and a half into
their relationship. She’d been at the same community college for four years and
was applying to transfer to a university the following fall to study
psychology. She loved learning of all kinds, though her reckless enrollment in
any course from Drawing 1A and African American Culture to Astronomy 100 and
Volleyball was, in Rich’s mind, no doubt the culprit for her prolonged academic
career.
“If you just
took the classes you needed, you’d be done already,” Rich told her one Friday
afternoon as the two were driving to San Diego for the weekend. “You wouldn’t
be stuck there like you are.”
“I know. I am
taking those classes. I just take a lot of electives,” She reasoned.
Rich wasn’t sold
on her argument for a second. “But you take electives instead of the ones you need and that makes this whole thing take
so much longer.”
“Well, what’s
the rush? Can’t I just learn what I want to learn? Why does it matter how long
it takes?” she replied with a playful smile.
“’Cause it costs
money. And don’t you want to be done with school already and, you know, start
your life?” Rich was treading softly. He knew her enthusiasm for aimless education
of all things was a sensitive subject.
“Well, why don’t
you marry me already and we can.” She
said in a trivial manner.
Rich didn’t miss
a beat. There weren’t many subjects that, after all their sadistic joking,
still had the power to break his concentration, and marriage wasn’t even close.
“Yeah, yeah. I’m not doing shit until you finish school.”
Kat rolled her
eyes. “Ugh, why? That’s not for like three more years! Come on already. Just
propose!”
“No way! How am
I suppose to go to your parents like ‘Hey guys, so like I know Kat is still in
school and everything, and I’m still looking for a job, and Kat’s still selling
spaghetti and whoring herself out to customers for tips—“
“Fuck off! I
make more money than you!” she said in playful argument. Though it was true, she
did make more money than him at the time.
“Whatever,” Rich
answered back, rolling his eyes, “Once I find a job I’ll be ballin’ out of
control. Sippin’ Dom P with my cereal and shit.” He mimicked a gang sign with
the hand that wasn’t steering, though it more closely resembled a gesture
rudely imitating someone with mental disabilities.
“Good, then you
can afford to buy my ring. Yellow diamond, princess cut,” she said holding her
left hand up and flicking her ring finger up and down, trying to draw his
attention from the road.
“Oh, yeah?” He
said sarcastically, “Well like I said, finish school and maybe if you’re good
we can work something out. But you’re buying your own ring.”
Kat laughed and
responded with a “Fuck you”
No love was ever
lost between them, and nothing was off limits, especially “pregnancy termination,”
much to the dismay of their friends. It was common practice for Kat, when
talking about children and pregnancies, to lift up her shirt and start beating
her stomach with her fists. “Just in case,” she would say to the appalled
expressions of her friends, “You never now!” Rich would laugh hysterically,
though rarely did anyone else share his amusement.
It wasn’t until one
October night, when Kat was two weeks late, that Rich began to feel a little
apprehensive about the subject. They had been through three years of deranged
abortion jokes and finally arrived at their first pregnancy “scare”. It wasn’t supposed to be scary—not to
them—but it was.
They stumbled
through the instructions and after a couple forcefully drunk bottles of Dasani
water Kat headed to the master bathroom of Rich’s apartment to take the
pregnancy test.
“Well…” she
called down the hall to Rich who was seated anxiously on the couch, fiddling
with his phone.
He flung himself
off the couch and jogged down the hall to the master bathroom. He was growing
more and more nervous. He couldn’t fathom the turmoil their lives would be in
if they were to have a child. They weren’t ready. They couldn’t afford it. They
didn’t want children. Everything they’d envisioned for their future was now in
jeopardy. Until now, this had always just been a “Wouldn’t that be crazy”
scenario. Now it was becoming real.
When Rich
reached the bathroom, Kat was standing in the doorway. She looked shaken and
fragile. Rich’s heart sunk. He’d never seen her so broken. She stood there teary-eyed trying
desperately to muster something resembling a smile to inject some ease and
humor into the situation but her trembling mouth wouldn’t allow it. It was unbearable for Rich to see her
like that. He wanted so much to see the vivacious, carefree girl he’d fallen in
love with, but she couldn’t even fake it. She looked depleted, like all her
cheer and exuberance had run out.
They went to the
clinic the following morning. Their minds were unchanged about what needed to
be done. Rich felt numb about the situation. It felt like everything was a bit
quieter, a bit slower, and a bit more detached from reality. But he was a
realist. He knew that they were in no financial or psychological position to
care for a child. He also knew
that he wanted more than anything to have a happy life with Kat. He wanted to marry her, and maybe
eventually start a family. But this was all too soon, and the health of their
relationship was not something he was willing to jeopardize.
Rich sat
nervously as Kat filled out the packet of paperwork in the waiting room. He found it strange that he was so
nervous, having trivialized the process of “pregnancy termination” for so long.
But after seeing Kat’s reaction to the pregnancy test, he had a slightly
different outlook.
“Kat? Kat?” the
nurse repeated, leaning on the knob of the half open door.
The couple
simultaneously snapped out of their daze. Kat grabbed her purse and got up.
Rich put his hands on the arm rests of the chair as if about to push himself
up, but waited for the nurse to wave him in, which she did.
“Do you want to
know anything about the baby?” the technician with the probe still between
Kat’s awkwardly parted legs. A vaginal ultrasound was something unheard of to
Kat and Rich until that morning, and neither were excited about it.
“Nooo,” Kat
answered with a laugh shaking her head, “not at all.” She tried to stay upbeat
about the situation as best she could, and these little nuances helped ease the
tension, if only for a moment.
Rich, who was
sitting in a chair next to her, was relieved by her response. He gave a dismissing
laugh, as if a homeless man had just offered them heroin, and said, “Yeah, I
think we’re okay.”
“Do you want to
know if its twins?” the tech asked. Rich’s heart skipped a beat, feeling as
though the question implied the answer.
“I mean, I
guess. I don’t know. Does it matter?” Kat said, appealing to Rich. He shrugged,
not wanting to encroach on the rights of the “mother”. “Sure”, she concluded,
her female curiousity getting the best of her.
“Okay,” the tech
said spinning the monitor around, “Well, you are having twins. There’s one sac
here, and the other right here.” She pointed them out with a pen on the screen.
Rich was annoyed
by the technician’s wording. If they didn’t want to know anything, why would
she even propose such a self-answering question? She wasn’t making it any
easier. He looked at Kat, who looked surprised but merely out of amusement and
disbelief. She had the slightest hint of a smile but her eyes indicated that
this new information felt like another turn in the knife.
After a short
pause, the technician continued, “If you need some time to think about it, we
can do the medical abortion up to four weeks from now. After that, you’ll have
to do the in-clinic procedure.”
“No, no. It’s
fine,” Kat answered quickly.
Rich was once
again relieved. If anything it
felt to each of them like an even greater crisis had been averted.
The technician
finished her work, withdrew the instruments, and stood up from her swiveling
chair. “Okay the doctor will be in in a few minutes. She’ll walk you through
all the steps. You’ll take the Mifepristone here, then you’ll have Misoprostol
to take at home tomorrow. She’ll explain everything,” she said before heading
towards the door. She flipped the lights on, pulled the door open and just
before shutting it behind her, raised the folder in her hand as a quick wave
goodbye and said, “Good luck” She smiled and shut the door.
---
Rich struggled
to come to terms with being alone, but he was managing in every way he knew
how. Cigarettes numbed his
anxiety, long work hours distracted him from depression, and a new Sig Sauer
P226 pistol and a nearby shooting range cooled his anger. His methods were bordering on unhealthy—and
he knew it—but he naively ignored the matter thinking he was too mentally strong
to lose control of the artificial normalcy he was creating.
Rich worked
every day designing marketing campaigns for small businesses—usually used car
lots or local veterinarians. Most
of his free time at night was spent preparing the next day’s work. On weekends,
he would prepare for the next week’s work. Eventually “free time” melded with
work time, before almost disappearing entirely.
It had been
almost a year since Kat passed away. The day after going to the clinic, a
painful red rash began expanding up her lower stomach. Rich called the clinic immediately and,
at their advising, drove her to the emergency room immediately where he would
last see her being wheeled through swinging doors on a gurney. Complications
from her abortion medication had led to a bacterial infection that ended her
life along with any others she was carrying. She was dead 22 hours after the
abortion.
Three months
after Kat’s passing, Rich was promoted to Executive Account Manager. He
overlooked every client account on the west coast. The transition was completely unnoticeable. For Rich, work was work. He had worked relentlessly and
tirelessly since Kat’s death, and continued to do so without a hitch.
Another three
months passed and Rich was offered a position at InVision—a high profile
marketing firm whose clients included Marriott, Philip Morris, Nestle, and
other multi billion dollar corporations.
For most in the field, it was a dream job. But Rich no longer had
dreams. He didn’t have aspirations or goals—only work. Work had become his life. It consumed
his entire being. It blanketed the
void left by Kat’s departure, then filled it, then sealed it.
Every once in a
while his friends would invite him out, to which he would always reply, “Sorry,
I’ve got a huge deadline next week”.
He always covered just far enough into the future to avoid any
possibilities of rescheduling.
His friends grew
accustomed to this and eventually their efforts dwindled, until one night he
received a text message from his friend Kevin inviting him over for his
girlfriend’s birthday party. He
began typing the usual response when an incoming call interrupted him.
“Hey I was just
texting you,” Rich said, unnerved by having to now decline the invitation by
voice.
“Are you
coming?” Kevin asked suspiciously.
“Ah, I can’t
tonight man. I’m swamped—“
“Dude, just come
for a little. You don’t have to stay long.” He sounded annoyed, probably for
good reason.
Rich didn’t have
any further argument, so reworded his previous excuse, “I just have so much
stuff to get done.”
“Dude, it’s
Katie’s birthday. It’ll be fun.” Kevin insisted.
Rich was annoyed
by the persistence but, having not seen his friends for a while, he reluctantly
gave in. “Do I need to bring anything?”
Kevin’s tone
changed instantly and he excitedly answered “No, nothing. We already have food
and beer. Just get your ass over here.”
Katie’s birthday
meant that her friends would be over as well. Rich’s friends had been hesitant to introduce him to any
girls since Kat had passed, but it had been a while now and slowly they were
becoming more direct about it. “Dude, she’s bringing her cousin” or “Her hot
friends will be there” were more often than not tagged onto any invitation.
The party was
more fun than Rich expected. The initial greetings felt a little awkward, the
majority of which included “Man, I haven’t seen you in forever” to which Rich
never really had an explanation other than “Yeah, works been crazy.” But after
a while, he settled in and all of the once familiar faces became once again
familiar.
“You’ve met
Sydnie, haven’t you?” Kevin said pointing towards the pretty blonde girl next
to him.
Rich had been
there an hour or so and knew that some kind of random introduction was
inevitable. “No, I don’t think so.”
Rich replied, extending his hand towards the girl. “I’m Rich.”
“Sydnie. Nice to
meet you,” she said grasping his hand gently. Her hand was small and slim and
all of her fingers seemed to overlap each other as Rich shook it and smiled at
her.
“I’m gonna grab
a beer, you guys want one?” Kevin asked pointing back and forth between Rich
and Sydnie.
“I’m okay,”
Sydnie answered as Rich raised the beer already in his hand to show Kevin.
Kevin turned and
left. The convenience and quickness of Kevin’s departure made it pretty obvious
to both Rich and Sydnie what his intentions were. The two looked back at each other and, in doing what was
expected of them, began talking.
They talked
about jobs, school, what their plans were for the future, what their plans were
for Thanksgiving. She told him
about the flower business she’d started with her sister and the new Prius she
was buying in December. Rich enjoyed the conversation. It felt like he was
finally normal again—talking to girls without any awkwardness, despite a faint
sense of guilt that would sporadically creep into his head. He hadn’t really
spoken to many girls in this context since Kat, but nonetheless tried to get
back into the swing of things. They talked throughout the night and by the end
of the party Rich felt an instinctual confidence he hadn’t felt since before him
and Kat had met.
“We should hang
out some time,” He said as they prepared to part ways.
“Yeah,
definitely. That’d be fun,” She replied, smiling back and nodding. Her teeth
were excessively white and perfect—something that usually goes unnoticed in
Southern California.
“Let me get your
number. I’ll shoot you mine, hold on,” Rich said pulling the phone out of his
pocket. The words felt unfamiliar to him, but came naturally—like a picture
book being dusted off and read for the first time since childhood. The two
exchanged numbers and a hug, and went their separate ways.
Over the next
few months, Rich and Sydnie talked consistently and went on numerous dates—movies,
dinners, and parties—each bringing Rich one step closer to his old self. They
spent more and more time together until after four months, Rich asked Sydnie to
be his girlfriend. She accepted
with a perfect smile and, though they’d already been increasingly inseparable,
was happy to further solidify their relationship.
Sydnie was cute
and sensible. She had pretty blue eyes and high, sculpted cheekbones that
needed little makeup to accent them. Her hair was very blonde and very
straight. She was never overly serious, but her sense of humor fell far short
of Holocaust jokes. Rich was sensitive to this for the most part, but would
indulge in the occasional off-color comment at which she would scoff and shake
her head in disapproval, but always with a smile. Sometimes he’d hope for a witty, or equally inappropriate
response, but it never came.
Rich often
thought about Kat. He was constantly making mental comparisons between his
current and former lovers. She was shorter than Kat. She was duller than
Kat. She was a better cook, more
athletic, and could sing better than Kat. She was smarter than Kat. Smarter. Intelligence never mattered to
Rich. No amount of it satisfied his desires, but its absence never left him
wanting more. In fact, none of
these things mattered to him. He was only interested in the intangibles, things
that Kat was rich with.
After a year,
the couple decided to move in together. It was more Sydnie’s idea than his, but
he didn’t have any immediate objections, so obliged. They leased a nice townhome with three bedrooms. “We can
rent the room out. It will save us a ton of money,” Sydnie argued. Frankly,
Rich didn’t need the discount. He was making enough money at his new job that
Sydnie’s suggestion to lease in the first place seemed somewhat thrifty to him.
Though the “lease to own” option made him uneasy. He knew the time would inevitably come when he had to choose
whether to anchor himself to this home and this girlfriend, or somehow explain
to her that he just wasn’t ready.
Rich spent less
time at the office and more time with Sydnie. He rarely worked at home and
never worked on weekends, due in part to her insistence. Occasionally he’d
leave work early to prepare dinner before she got home from the flower shop. She’d
walk in and cover her mouth in surprise, then rush over and give him a hug and
a kiss. He liked surprising her. It made him feel like he was doing a good job,
like he was doing things the right way.
He thought he
was happy, though happiness was no longer something he easily understood or
recognized. What he knew was that
he was no longer alone, and that was enough; that was his happiness now. Happiness, satisfaction, and
contentment became one in the same to him—indiscernible to his scarred over psyche.
The night of
their two-year anniversary, Rich and Sydnie sat down to dinner at home.
“Mm, the steak
is so good!” she said, chewing a bite enthusiastically. Rich smiled, mouth full of her garlic
mashed potatoes that had put his effort to shame. “Your stuff always turns out
better than mine,” she continued, “It’s not fair. You don’t even try!” Rich wasn’t sure how to take that. He feigned
a subtle laugh and continued eating.
They chatted and
reminisced about the two years they’d spent together. They talked about how
they met, their first impressions,
After Rich took
the dishes to the sink, he returned to the table, filled his wine glass, and
took it to the living room where Sydnie had curled up onto the couch. He sat
down next to her. She was looking at her wine glass, eyes glazed over. She spun
it slowly between her fingers watching the dark merlot swish gently about.
“You okay?” Rich
obligatorily asked.
She curved the
corners of her mouth into a terribly fake smile and without looking up said,
“Mhmm.”
Rich was
concerned. Their life together was so normal to him that he couldn’t imagine
what could possibly be wrong. “You sure?” he persisted, watching her eyes
follow the wine around the glass.
Sydnie made no
acknowledgment.
“Syd, hey,” he
said tapping her curled up legs with the back of his hand. She looked up at him
but remained silent. “Come on, what’s wrong?”
Her intense
pensive look was only mellowed by the affects of wine and food. “Um…” she
muttered, finally breaking silence.
“So… we’ve been together two years now.”
He nodded
suspiciously and said, “Uh huh,” already gathering his thoughts about marriage.
“And, um,” she
continued hesitantly, “There’s something…”
Rich looked at
her, more confused than before.
“I know I should
have told you already. I don’t know, I guess I thought it would be better to
wait.”
Now Rich was
completely at a loss. “Should have told me what?” he questioned.
“Um, well…” she
said looking up with a forced, closed-lip smile, “I’m, ya know…”
Rich’s stomach
knotted. His confused expression intensified but he knew what was coming. It
was something he hadn’t faced since losing Kat three years ago. He’d never
worked out how to deal with it, how to react, how to accept or reject it.
She didn’t need
to finish, but did, “pregnant.”
Sunday, March 2, 2014
Timed Exercise - Challenging a Character
This was an exercise in pace. The goal was to have a character achieve something within an hour.
Kevin awoke abruptly to an unusual and startling buzz, his phone vibrating against a nickel on the bedside table. He clicked the power button to ignore the call and ease the abrasive noise. Seconds later, a single buzz again rattled the loose change, but it went unnoticed, the bedside already deserted. A girl on the opposite bedside stirred in annoyance. In his startled awakening, Kevin had flung the sheets off of himself exposing her upper back and shoulders as she laid on her side grimacing in annoyance at the cold air and loud shower. She bundled herself into a cocoon of bedding, a remedy that never seems to do its job.
A few minutes later the shower shut off with the squeak of a knob that echoed through the plumbing. Kevin walked out with the wooden floor squeaking and slapping against his bare feet. It never ends. Already wearing his clothes from the night before, he sat back down on the bed and stuffed his feet into the black sneakers that lay haphazardly on the floor. One more rattling buzz.
“Can you turn that off?” she said in a way that made clear that whatever friendship they had did not apply to 6 a.m.
“I have to take off,” he said grabbing his phone and starting towards the door. He was too preoccupied to care; she was disinterested.
When Kevin reached street level, he walked out of the large glass double doors and turned left. He could see his car a block and a half away parallel parked in a spot that would only seem suitable at midnight on a Friday. He walked quickly toward it in that awkward jog/walk that one does when the doors first open to a concert with general admission seating. His mind was in a tunnel, inattentive to anything around him. With the click of a button, the doors unlocked from thirty feet away and he approached the car. He flung the door open, pulled his feet inside, and firmly shut it in almost one fluid motion. He exhaled, turned the key, and pulled into the road already squinting at the upcoming street sign.
Once on the freeway, he looked down at his phone on the passenger’s seat, picked it up, and swiped it open. There were two messages from “Corinne <3 <3”. The first read, “Good morning hun” with a smiley face that knotted his stomach. The second message read, “The nurse said they’re taking me in at 7:15”. 7:15? What happened to 8? “Be there ASAP”, he replied ambiguously, his heart beating through his temples. He drove on in silence towards Pasadena, his mind engrossed in premeditating arguments, excuses, explanations. Never apologies.
It was almost seven by the time he pulled up outside the quaint but pretentiously “historic” bungalow. The neighborhood was quiet and for the most part still in slumber. He could hear children’s voices and dishes as he approached the house and rang the doorbell. A young 30-something woman opened the door with blonde hair pulled back and a closed, obligatory smile.
“How’s she doing?” she asked as she stood back leaned against the door with arms folded.
“She’s good. Surgery’s in a few hours.” he lied, looking past her into the house towards the sound of a zipper, not fully present. “Dylan,” he called “come on, car’s running.” It wasn’t. Kevin’s eyes glanced right to meet hers as he gave a quick, pursed lip smile, which she returned. 7:05.
Kevin took side streets—it didn’t matter at this point, they couldn’t make it in time. Huntington Hospital was at least a fifteen-minute drive from the Hydes’ house and parking was always a nightmare. It would be a rushed, strenuous effort that his marriage, at this point, no longer compelled him to make. His mind was at ease. He knew the presence of their son, along with the residual medicinal effects, would temporarily alleviate or at least distract from any tension between them. Maybe she would forget altogether.
It would be almost noon before a tap on the knee would awake a slumped down Kevin to see Dr. Park looking down at him.
“Mister Moore?” He said with a calm, American accent—something that Kevin had always found peculiar yet comforting. “Do you mind coming back so we can have a word?” His voice gave nothing away.
Kevin rubbed his son’s head that was resting on his elbow and straightened up.
“Hey buddy, I’ll be right back, I’m just going to talk to the doctor for a few minutes. Are you going to be okay out here?” The boy nodded, still blinking, as his head fell back towards the armrest. “Okay, just stay right here.”
Kevin rose out of his seat as Dr. Park looked across to the older woman sat behind the window.
“Brenda” he said pointing down at Dylan’s nappy hair. She looked up, smiled, and gave a nod.
Dr. Park motioned for Kevin to walk ahead and followed closely behind as they headed towards the back of the room. Each footstep was a hollow, distant echo. The sterile white lights dried his eyes, but he didn’t blink. His mind was numb. And just as the dark brown doors swung closed behind them, there was a short buzz in his pocket. It was her.
Royals by Lorde - a Critique
I was asked to write a critique on a subject in music for the online magazine Don't Panic! with an emphasis on "bratty" opinion. The final copy did not make publication, but I think it is a good example of critical and rhetorical analysis--with a very sarcastic tone:
I usually refrain from criticizing anyone too young to have
a Mickey’s with their Doritos, let alone a 17-year-old GRAMMY nominee. However,
the singer of this year’s “Somebody That I Used to Know”—annoyingly titled
“Royals”—is doing a fantastic job of reinforcing the narcissism that now
plagues, well, everything.
The song itself aims to oppose all things luxe by dismissing
expensive indulgences, and maybe it succeeds, but does so with a pretentious hair-flip
and a shoulder-brush. This coupled with its obliviously contradictory nature makes
Lorde’s highly lauded hipster anthem cause of more head aching than head nodding.
It must be quite difficult to truly dislike luxury items. Jet
planes serve an irreplaceable function that most people, poor or privileged,
benefit from. If anyone has ridden in a Maybach (I have not), I’m sure they
could attest to the comfort and agreeable circumstances afforded by such a
vehicle. Islands are vacation destinations for millions of people, not only the
wealthy. So is Lorde displeased with the immaculate scenery and near-perfect
climate? I can’t imagine so. Maybe she finds the tourist masses (and massive
tourists) unbearable, which many do. But isn’t that why purchasing an island
would be advisable? The list goes on but of course this disdain for extravagant
accommodations cannot be the real reason for her bickering.
The truth of the matter is, “Royals” is not concerned with
disproving the face value of luxury possessions, but rather criticizing the
narcissistic egos that these items engorge. It’s not the grey goose and
diamonds that make you a douche, it’s the fact that you let these things define
your persona and self-worth that makes you a douche—though gold teeth might make
you a douche regardless. It’s the
blatant narcissism in trying to prove yourself and gain recognition through
possessions and aesthetics that details the real issue concerning the song.
This is exactly why “Royals” is unbearably hypocritical and contradictory, a
theme too often present in music today (I’m looking at you Kanye).
If narcissism is the root of the issue, shouldn’t the ironically
monikered Lorde be more attentive to the nature of her profession? Performance
by nature is at least somewhat narcissistic, isn’t it? She’s composed her
opinions, performs them for all that will listen, and wants recognition and
validation. Maybe that’s a bit over the top, and maybe we’re all guilty of this
to a degree, but I don’t buy this whole I’m-not-interested-in-fame spiel. If
she wasn’t looking for recognition, and didn’t think her ideas were important
for people to hear, then she wouldn’t be performing them for millions of listeners.
It’s been referenced that she was swept up by the unyielding wave of fame, but
it’s not like she wasn’t already in the water kicking her legs. “Royals” simply
disguises narcissism by using popular opposition as its Trojan horse, a
prevalent trend in recent years. It is as common these days to be adamantly
opposed to all things fame and fortune as it is to be obsessed with their
attainment. The underlying issue beneath the diamonds and gold teeth are the exact
same as those beneath the thrift shop jewelry and ragamuffin hairdos. The smug
nature of “Royals” and much of the annoyingly complacent pseudo-hipster community
relies as much on self-satisfaction as does that of the posh and famous.
In principle, seeking recognition for “not caring” about
wealth is identical to doing so in favor of it. We all have opinions, they
almost always differ, we all want people to hear them, and we all think they
are important. And sometimes we write a blog about them. But who’s to say what the right way to
live is? Isn’t being loud about wealth equally valuable as being loud about indifference?
In the end, aren’t we all just yelling at each other? Regardless, it’s
difficult to criticize her commercial success and, come January, Lorde can rest
her scrawny arm and let the GRAMMY academy resume the proverbial back-patting.
Short Scene - First and Third Person Narrative
These are two perspectives on the same short scene I've written. Again, focus was on believability and authenticity.
1. Third Person
They stood in the dim orange light next to her red Chevy Cobalt and embraced. Sean looked down over her shoulder and stared down amused with the two, black rimmed, spare tires that had replaced her two left wheels, knowing well there was a third on the other side as well. It was almost eleven and they each had a 45-minute drive home in opposite directions.
They broke from the hug slowly, as if trying to prolong the window of opportunity for a kiss. Alex wanted a kiss, and tried to engage eye contact as they parted. Sean was still looking at the wheels until they disappeared behind her as he straightened up. He looked at her with a rather neutral expression. The hug began with smiles, though his faded quickly once hidden from view. Alex’s remained. There was a moment when his eyes caught her persistent, desperate glare and she said, “You okay to drive?”
“Yeah, yeah, I’m good,” he responded casually in a slightly hurried manner. His hands were now in his pockets. He was beginning to rock forward and back impatiently.
Alex’s smile was reduced to barely more than pursed lips and she gave a single nod “’Kay. Well, thanks again,” she said raising her right hand that was anchored at the elbow by her purse to wave “bye”. She resigned her hope and turned towards her car.
“Of course,” Sean replied, already stepping backwards and raising his hand. “Take care.” Alex didn’t want to respond, frustrated and annoyed with Sean’s inadequate chivalry. Though, a kiss had never been his intention.
The second Alex’s head had turned completely, Sean quickly turned around and walked down the row of cars with strides just slightly larger and more enthusiastic than normal. He puffed out his cheeks and exhaled as he reached for the phone in his pocket. He slid his thumb across the screen to unlock it and saw three messages from +1 (310) 555-1702. He had deleted the contact almost two months ago, but hadn’t blocked it. He tapped the text conversation to open it and slowed his walk to read it.
2. First Person
Even this felt like too much. I tried to keep my distance. The hug was all shoulders and arms. Pressing our torsos closer together would have sent the wrong message—that I was actually interested. I was trying to be a good date, or at least give that impression. I looked down at her tiny black-rimmed wheels. Alex’s car was rather small, but the wheels made it resemble a circus elephant riding a tricycle.
She’d told me not too look at them. “I have three,” she had said earlier, “There’s another on the other side,” I withheld my comments about them. She probably thought it was good small talk, and in most cases it probably was, but I was in no rush to prolong our goodbyes.
After counting a few beats, I withdrew from the hug. It was probably too soon. Her grip relaxed just late enough to let me know that I’d caught her off guard. The sincerity of my courtesies had been gradually waning throughout the night and at this point I was just going through the motions trying to hit all the formalities. Hug—check.
I caught her eyes looking at me as we straightened up. In all honesty I’d felt her looking at me sooner but was reluctant to oblige her with eye contact. I knew she wanted a kiss. After all, we had no trouble swapping whiskey-flavored saliva two weeks prior on New Years Eve. But circumstances were different then. I was newly single, and my “It’s 12:30 and I still haven’t had a New Years kiss,” line hadn’t been brought down from the rafters and dusted off in almost four years—though it’s potency was sharp as ever.
She was still smiling at me and said, “You okay to drive?”
The prospect of getting in my car and leaving sparked my excitement and relief. This whole charade was almost over. “Yeah yeah, I’m good,” I quickly and eagerly replied. My hands were in my pockets now; their work was done for the night.
She closed her smile a bit and nodded once—conceding defeat. “’Kay. Well, thanks again,” she said raising her hand as an abbreviated wave.
Her wave felt like the final bell releasing students for the summer. I withdrew my hand from its holster and returned a wave. “Of course,” I said, my excitement probably feigning sincerity. “Take care,” I concluded. A mental countdown started in my head as she began to turn towards her car. 3…2…1…
The moment I was out of her peripheral view, I spun around and headed back across the parking lot towards my car. I exhaled and let the relief wash over me. Then I reached for the phone in my pocket. I knew with certainty that there would be messages waiting—messages that shouldn’t be opened in front of my “date”. I looked at the screen and saw three new text messages from a phone number rather than a contact. I knew who it was. I had always known. When I had removed her from my contact list two months ago my intentions were to have no way of contacting her since I rarely remembered phone numbers. This number had been in my phone for almost four years and I’d never once memorized past the area code. It was always masked by the name “Ash”.
Writing Sample - First Person Narrative
This is a brief story demonstrating the first person POV. I tried to have fun with this one.
Abortion has never been a term to evoke much emotion from me. I have no religious beliefs—never have. It’s not something on my radar if I’m honest. I hear the arguments, see the hostility, and none of it bothers me one way or the other. I have my beliefs, and I’m satisfied with them. I’ve also been blessed to have a girlfriend that had always shared those beliefs, despite her religious family. We’ve always agreed that it was in everyone’s best interest, if it were ever required, to “terminate” the pregnancy. This was never much of a discussion.
Earlier we had been at a friend’s house watching a stupid Disney movie. They were all into that garbage—Kat, Kevin, and his girlfriend. I was driving that night, so when Kat and I finally got back to my house and I was relieved of my duty, I treated myself to the usual glass of Jameson. I thought Jameson was garbage. In Dublin I thought it was garbage, in Chapel Hill I thought it was garbage, and in Los Angeles I thought it was garbage. Kat loved it. She had coincidentally been on the same tour of the Jameson distillery as I had in Dublin, only a year later. We even had the same tour guide—Sean. I always got the impression that she came back thinking Jameson was the shit because of its bullshit “tradition”. I didn’t even have a preference for a particular whisky, and it was pretty much all I drank, and I still hated Jameson. That’s how I knew it was shit.
“Drink a water. I just bought a new pack.” I told her, probably too enthusiastically. She obliged but didn’t return the enthusiasm. The night had gone perfectly fine. We’d laughed, and joked, and had fun with our friends. But she was a little off now, and I knew why, but I ignored it. “Keep drinking. Come on!” I encouraged. She was taking one big gulp, holding it in her mouth, then forcing it down. I was hoping for more of a chugging action. “You only need five seconds’ worth.”
She had peed at the Ralphs by my house. I was annoyed at her eagerness to relieve herself given the nature of our impromptu shopping trip. She had run straight to the bathroom in the back of the store, while I perused the candy aisle conveniently located right outside of it. I grabbed some gummies—the kind shaped like hamburgers, and hotdogs, and pizzas. Then I waited. When she finally emerged, we both understood which of the two possible options that particular amount of bathroom time indicated. Normally I would have commented on it, or she would have beat me to it. We continued on. One thing was left on the list—the only thing really.
Back at home, that one thing was now an empty pink box torn open on my dining room table. There were instructions unfolded and laid haphazardly—instructions that she had bitched through the entire time I was reading, claiming to “already know” what they said. She seems to “already know” a lot of things. Sometimes she’s right, but a lot of times she’s wrong. I wasn’t going to chance it with this one.
At this point she was in the guest bathroom, with the faucet running, shower on, and music playing from the speaker on her phone. We went through fairly extravagant measures to mask our business in the bathroom. I was waiting on the couch, a little nervous about her silence. She would normally be yelling things to me from the bathroom, saying funny things, providing commentary, and so on. Then suddenly she yelled “Oh shit!”
I was confused because I knew that wouldn’t be her reaction to the news we were, or weren’t expecting. “What?” I called back, getting up from the couch. She didn’t respond. Now outside the bathroom door I continued, “What happened?”
“I dropped the cup,” she replied.
“How? Did it spill everywhere?”
“No, like, in the toilet,” she answered.
I could hear things rustling about behind the door. I figured there were way too many uncomfortable things going on at once in that particular moment so I remained outside. “Jesus. Okay well don’t flush it, it’s plastic.” I urged. These were the kind of things that she unfathomably required emphasis on. Of course, this was all said over the sound of a flushing toilet.
“Shit. Wait. Fuck,” she didn’t really need to say much more than that.
She finally opened the door and came out, blocking my view of the toilet with her body. I wasn’t going to look anyway—I didn’t need to. There was never that definitive gulping noise when a toilet bowl has been completely evacuated.
“Just pee right on the stick this time,” I insisted, handing her the second of the three tests. She looked at me as if I didn’t need to say that. She gives me that look often. I wish she was self-aware enough to grasp that for every redundant, unnecessary statement, there are ten that should be redundant and unnecessary, but aren’t.
After forcing her to drink some more water and waiting awkwardly for ten minutes, she wound up in the master bathroom. I remained on the couch. A couple minutes passed. At this point I was more curious about how things were going in there, rather than the actual result. I finally heard the door open.
“Well,” she yelled down the hall.
“That wasn’t even three minutes,” I yelled back. I got up quickly and jogged to my bedroom where she was standing with the bathroom door open. Her hands were empty. She was silent. I looked at her face and she had the same teary-eyed look of numbness that I’d only seen when we almost broke up six months ago. She didn’t really need to say anything. I paused, “Are you sure you read it right?”
Writing Blurb for Don't Panic! Online
I was asked to submit a short blurb on a current but unique topic for the online magazine Don't Panic! Final edits were not done by me personally.
Last Saturday, to celebrate the release of their latest album “Christmas Songs”, Los Angeles punk veterans Bad Religion offered to make a 50 cent donation to a local Food Bank for every visit their website received. The lack of effort required to help the poor was commendable, and the clicks began to roll in. Right up until those circle-jerking betas over at Reddit got their sticky fingers all over the link.
Between discussions over child abuse and being in the Friendzone, one user found time to post the link. Thousands of upvotes later, BadReligion.com found itself totally fucked by Reddit’s otherwise virginal hard-on. The website promptly crashed, preventing any further visits and potential donations. Users righteously bragged that Bad Religion didn't 'know what Reddit is capable of', an odd statement, seeing as events like the Boston bombing proved that they're only capable of being completely retarded. The website was revived shortly thereafter, but this incident raises a peculiar question, if even the internet fails us, what is the most efficient way to give back this Christmas?
First, lets congratulate the over-zealous and laughably predictable internet community (myself included, admittedly) for simultaneously crippling the band’s charitable efforts and emptying stomachs of the poor. In light of these actions, let's consider an equally excitable alternative: getting shit-faced drunk.
Do you know that Heineken donate over 1% of all profits to charitable partners (over $29 million in 2012)? Immune to the inevitable digital battering, drinking beer in the name of charity does not fall victim to its own success, as have the efforts of Bad Religion. What's more, the more beer you drink, the more likely you are to continue reaching into those deep pockets of yours. So get off Reddit and go boozing with some friends. It might help more than just your social life.
ps. Dear Heineken, pls give us free booze for this festive plug. Thanks
Mock Video Game Writing Sample - Dialogue
This is a writing sample I've put together demonstration video game applications of creative writing. Specifically in this one, I've focused on basic plot and character foundations, along with three dialogue samples. I wanted the voices to be real, and authentic--conducive to the story and not distracting.
Mock Game Dialogue Sample
Brief Game Premise:
The game is a
mystery-thriller that follows a middle-aged doctor as he investigates the
bombing of his abortion clinic in suburban Texas. Along the way he encounters
hostile militant activists belonging to the underground ultra-conservative
terrorist organization responsible for the attack. As the game progresses, it
is revealed that the terrorist organization is secretly and deeply rooted
throughout the local community.
Background:
Dr. Richard
“Rich” Decker is a 44-year-old OB/GYN specializing in pregnancy termination (abortions).
For eight years, Dr. Decker had practiced at Huntington Memorial Hospital’s
maternity ward in Pasadena, CA until complications with his youngest son’s
Cerebral Palsy forced his family of five to relocate. The doctor, his wife
Violet (“Vi”), and their three children—Sean, Abby, and Owen—left California
and settled in Friendswood, a small suburb in the Greater Houston area. When
the conservative social and political climate in their new neighborhood made
finding employment impossible given the nature of his work, Richard opened a
private sexual and reproductive healthcare clinic. Despite its controversial reputation
in the local community, the clinic was moderately successful until it was
leveled by an explosion just minutes before the doctor was scheduled to arrive
for appointments. Corrupted by their affiliations with fundamentalist
“interest” groups, the local authorities show little interest in resolving the
matter justly. Now Richard faces leaving his family behind as he searches for
information that will lead him to the attackers, before they come after him.
Character Profiles:
Dr. Richard
Decker – Middle-aged abortion specialist, father of three, realist, book smart,
jaded by life’s circumstances but invigorated by dangers to his family and well-being.
Tradition for
America (TFA) – Traditionalist and fundamentalist terrorist organization rooted
throughout local communities. Founded and lead by Ken Spitz and his wife
Katrina.
Violet Decker – Wife
of Dr. Decker, hard-working mother but exhausted with home life, displeased
with husband’s lack of attention towards family, short-tempered, snarky.
Chief Timothy
Whitman – Chief of Friendswood PD, experienced and decorated, important intermediary
between TFA and local law enforcement.
Agent Samantha
Foster – Federal Agent designated to overseeing investigative proceedings
following TFA attack, diligent, clever, but involvement bound by federal red
tape.
Fr. Robert Flick
– Local clergy, prominent community leader, liaison between TFA and local
community, well respected.
Det. Jim
Clarkson – Senior Detective presiding over the investigation. Privy and
adherent to TFA influence.
Officer Lawrence
Delagardelle – Young officer of Friendswood PD, suspicious of PD senior
officers, committed to aiding Dr. Decker and his family, and bringing justice
to the community.
Ken Spitz – Founder
and leader of TFA. Calm, calculated,
influential, manipulative.
Katrina Spitz – Wife
of Ken Spitz and second in command of TFA. Ruthless, hot-tempered, irrational,
unpredictable.
Dialogue 1: Dr. Decker and his wife argue in the
living room as he plans to track down the bomber.
VI: Are you out
of your fucking mind?!
RICHARD: Jesus
Vi, the kids…
Richard motions upstairs with his hand at
Violet’s swearing.
VI: What, now you care about the kids?
RICHARD: I’m doing this for the kids!
VI: How is this for the kids! Leaving them so
you can run after some punk—
RICHARD: These
are terrorists! This isn’t some fucking game.
VI: Yes it is! It
is a fucking game to you! They tagged you and now you’re it.
RICHARD: Nobody
is ‘it’! It’s not like someone’s winning or losing.
VI: We’re all
losing Richard! We’re losing a husband and a father. For God’s sake Rich, Owen
needs you here.
RICHARD: He’ll
be fine. You can handle it.
VI: I can handle
it? What, am I their fucking babysitter? Is this house a fucking daycare?!
You’re their father—
RICHARD: And you’re
their mother! You—
VI: I’m your
wife Richard!
RICHARD: Vi…
VI: I need you
here. They need you here. You’re not—
RICHARD: Vi,
listen.
VI: You’re not a
cop Richard! This isn’t your job. Your job is—
RICHARD: My job is a pile of ashes and rubble because
some asshole—
VI: Your job is
to take care of us!
RICHARD: Well I
can’t do that if these people go free! Vi, don’t you understand I have to find
out who did this or we’re all targets—we’re all in danger.
VI: But mister Clarkson
said—
RICHARD: The
police aren’t going to help, Vi! They don’t care about us; they want us gone.
Clarkson isn’t going to do shit.
VI: But he said
they would find—
RICHARD: They
aren’t going to find anything! They aren’t even looking. This is the fucking
Bible Belt, this isn’t California—it’s not the same.
VI: So what are
you going to do if you find them?
RICHARD: I
don’t—
VI: Kill them?
Are you going to kill—
RICHARD: I don’t
know!
VI: Well, what
if they kill you?
Dialogue #2: Ken and Katrina Spitz, leaders of Tradition
for America, confront Chief Whitman about Officer Delagardelle’s involvement
with Dr. Decker.
KEN: Who’s his
little friend?
WHITMAN: Who?
KEN: Decker’s friend—the black guy. Tall,
some kind of thing on his face, good look—
Katrina looks at Ken in disgust.
WHITMAN:
Lawrence.
KEN: Lawrence?
WHITMAN: Yeah, Lawrence
uh Delagardelle. He’s a pup, ya’ know, he’s a little wet behind the ears.
KEN: Is he a
problem, this Lawrence Delagardelle?
WHITMAN: Nah, no,
not at all. I’ll have Clarkson talk to him—tell him to leave it alone. It’s
nothing. He’s nothing. He just uh…
KEN: He doesn’t
seem like nothing. It seems to me like he’s doing a lot of talking—talking to
people he shouldn’t be talking to, about things he shouldn’t be talking about.
WHITMAN: Lawrence?
Yeah, I mean, he’s new. He just wants to wet his beak a little, that’s all.
He’s not a problem.
KATRINA: He just
gave up Robert!
WHITMAN: Father
Flick?
KATRINA: No shit
you fucking moron! And let me remind you: If Decker gets to Flick, Decker gets
to you. And if Decker gets to you, Decker gets to us. Now doesn’t that sound
like a fucking problem to you?! Don’t you think that might be a little alarming
to us, here, where we do business with shits like you, and pay shits like you,
to keep other little shits out of our fucking hair!
KEN: Alright
Kat…
WHITMAN: Look
he’s fine, everything’s fine. He’s not going to—
KATRINA (Cont.):
And don’t you think that when little shits like you, who work for us, do an
especially shitty job, they should be fired? Huh? Isn’t that how this works?
I’m the boss and you’re the little bitch mopping the floors and if you can’t
keep these floors fucking sparkling, you’re gone. Except here, at this company,
we don’t fire incompetent little shits like you—we kill them.
KEN: Katrina!
Enough!
Katrina looks at Ken in annoyance.
KEN (cont’d): Look Tim, we pay you to keep all your
little duckies in a row. Sometimes a little duckie gets out of line, and that
little duckie can cause us problems. He runs around—
WHITMAN: He’s
not causing any—
Ken puts his hand on the table signaling
for Whitman to be quiet.
KEN: Tim. You’re
not listening to me. That little duckie runs around quacking about, making a
ruckus. Now I don’t know about you, but I hate noise. I can’t sleep, I can’t
think with all this quacking, and quacking, and quacking…
WHITMAN: I told
you, Clarkson will talk to him. What do you want me to do?
KEN: Get all your little duckies in a
row—every last one—so that we can sleep, and think, and do all the wonderful
things that we need to do to keep you happy, and your wife happy, and your kids
happy.
Whitman is irked by the mention of his
family. He reluctantly stands up to conclude the conversation.
KEN: Oh and Tim…
Whitman freezes.
KEN (cont.):
Katrina wasn’t kidding.
WHITMAN: About
Father Flick?
KEN: About
killing you.
Dialogue #3: Whitman and Clarkson speak in his office
after statements made by Officer Delagardelle on local news following his
expulsion from the police department implicate them with TFA and the bombing.
Whitman grows impatient with Clarkson’s incompetence and is coming undone
beneath the pressure from Ken and Katrina.
CLARKSON: What
are we gonna do about this boss?
WHITMAN: We? No,
no. There is no “we”. This is on you…
CLARKSON: How is this on m—
WHITMAN: If you did what you were fucking told,
what you were paid to do, this
wouldn’t have happened.
CLARKSON: I did
exactly wha—
WHITMAN: If you took care of this situation more
like a senior officer and less like an incompetent, worthless piece of shit…
CLARKSON: I told you, I did exactly what you
said! Exactly. I reassigned him to the Bilesky case, just like you said.
WHITMAN: Well then why was he still snooping
around Decker? Why was he at his house? Why—
CLARKSON: I
don’t know! Look Tim, man to man, we know this situation is fucked. This whole
thing is fucked. Okay, I get it. Now we can argue about it all night but that ain’t
gonna fix it.
WHITMAN: So how do we fix it?
CLARKSON: C’mon Tim, you know the answer to that.
The two men lock eyes momentarily in
understanding. Whitman shakes his head.
WHITMAN: No. No way. It’s too obvious.
CLARKSON: What’s too obvious?
WHITMAN: That’s
too obvious. It’s too easy to trace back. We could never cover that up with
Agent Foster up our asses the way she has been.
CLARKSON: So we don’t do it. Maybe someone else
does it.
WHITMAN: Who? We can’t trust anyone else. If someone
with TFA affiliations gets caught, they’ll know it was us. Delagardelle just
told the entire county that he had reason to believe we were in TFA pockets.
Then all of a sudden he goes missing and the suspect turns up TFA?
CLARKSON: So then who?
They pause in thought.
WHITMAN: Flick.
CLARKSON: Jesus Tim…
WHITMAN: Exactly. He could do it.
CLARKSON: Are you out of your damn mind? We can’t
ask Father Flick to—
WHITMAN: Sure we can. His ass is as much on the
line with TFA as ours. If not him, then who?
Clarkson pauses in contemplation.
CLARKSON: He won’t do it. There’s no way he
would.
WHITMAN: He has to. He doesn’t have a choice.
CLARKSON: What do you mean he doesn’t have a
choice? Yes he d—
WHITMAN: Ken gave Father Flick almost three
million dollars of TFA money to launder into the church. He was supposed to
make renovations and what not—you know, spruce it up a bit.
CLARKSON: Yeah,
have you seen the place? It’s gorgeous.
WHITMAN: Oh, it is, it really is. The new
ceiling, the new stained glass—it’s great. Only it didn’t cost three million.
CLARKSON: What do you mean it wasn’t three
million?
WHITMAN: Mitch Davis, he runs Apex Construction,
the guys who did the job. I talked to him two weeks ago, just after they
finished it up. He told me the whole thing was quoted at two point three.
Clarkson furrows his brow in confusion.
WHITMAN
(cont’d): That means Flick would have had seven hundred thousand dollars left over. Seven hundred thousand dollars of Ken’s
money that just went poof!
CLARKSON: So what, you think Flick’s got it?
WHITMAN: He has to. He’s the only one that had
it in the first place.
CLARKSON: But Ken’s gotta know how much the job
was. You think a guy like that drops three mil’ and doesn’t check his receipt?
WHITMAN: You can grease a lot of palms and pad a
lot of pockets with seven hundred grand. Fifty-K to Mitch, a new car for the
accountant’s kid, and boom, you’ve got an invoice for three million dollars and
the books to match. Walkin’ away with six hundred grand isn’t a bad pay-day for
a man of the cloth.
CLARKSON: So, say he does have it. What do we do,
just tell him he’s gotta take care of Delagardelle or Ken hears about it.
WHITMAN: Not Ken. Katrina.
Clarkson raises his eyebrows.
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